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Unlike a Virgin

by Silence

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1.
Son of Sin 04:38
Son of sin Look at the mess I'm in Take a peak at all the shit I've seen Thanks to you and your good advice Next time you sell You'd better name the price Son of sin are you aware that thanks to your unwanted help I can now announce the fact that I'm a son of sin myself Son of sin are you aware I am now a son of sin myself You were my guide The blind leading the blind Son of sin The worst friend a man can find Your angry words became my way to unwind I loved to use them even though they were signed by the devil himself I was lost I couldn't find my way but then you came and led me hopelessly astray Much obliged
2.
Drive 04:52
I still remember your hands against the wheel The burning rubber The melting steel The twilight veil on your face, dreamlike and unreal The moonlit highway paved with stardust The steamy windows covered with lust I'd do it all again and so would you, I trust Let's take a ride, love The night is still young We could drive straight to oblivion and make really happy all the slanderous tongues Take me all the way 'til we rise above the dreary fields of hate, the winding streets of love 'Til we rise above Grab the steering wheel My heart is yours to steal
3.
Scream, Greeneyes, scream Your smile lost love, became a grin Your eyes Once pure sin Adorable, godlike, mean have now turned from green to something I've never seen A blue black within A nightmare instead of a dream Is it them? Or is it me? Is it what has been or what will be? There are ways to stop your misery The question is - do you agree? Just keep ignoring unsuccessfully the so-called 'parental advisory' Just keep living secretly and Greeneyes ... You will see
4.
Etwas 01:28
5.
I would like a spine I'm always on my hands and knees Gravity's the worst hereditary disease I'd like to see the forest but I can't see beyond these trees Even though I cannot name them all I'd like to sail the seven seas I can't find the missing element What's important? What's irrelevant? I want to have a wild youth I've got to have something to miss I would like a sample of the Yeti-like global peace Everybody's seen it but no-one's ever caught the beast Oh, what a sad collection of thoughts this is
6.
Barbara 04:27
I reach to touch you but your smile risks to become untrue The blindman's sunlight That's you Accidentally on purpose You let me drown in your 'saltwater kisses' You're whole when I'm in pieces I'll never get enough of you I try to hate you but how can you hate something you don't own? So I just love you ... and mourn I'll never get enough of you
7.
Hush hush, my baby Sleep tight I will protect you from harm No need to be scared at all as long as you are in my arms God forsaken country
8.
It's hard, nowadays to recognize an honest thought, a good advice You've been kissed by Judas in the name of Christ Now, before trusting Thomas thinks twice You've been there before Therefore nevermore You learn their ways Cover your tracks The best defence is to attack Either this ... or forever watch your back As the truthful asshole slowly dies a master is born of disguise But suddenly you realize You're proudly bathing in the dirt of your own lies Just like they did Just like they did And from this point there's no return You're trapped in their world by the bridges you've burned See you later, dear ex heavy straighter
9.
Greasy fingers Your heart bleeds He has got more than he needs He receives and he receives and in return he never gives Nevermind Nevermind his kind The filthy bastard's joy is also his decline Nevermind He will lie and he'll deceive as plain and simple as you breathe A thing that's worth trying to achieve is stealing something from a thief
10.
4-2 02:51
Are you ready to fly, are you ready to kneel tonight? To hurt and to kill, to cure and to heal tonight? So just spread your wings and shut your mouth Room service 4-2 Are you anxious to roar, to beg me for more tonight? The bedroom, the floor Pressed against the door tonight? God bless violence God bless sin God bless the state I'm in
11.
P. S. 05:25
I feel the scent of your skin, the softness of your hair I sense the shape of your lips but to touch them I don't dare You're like a bubble One false move and it's no longer there A moment of weakness and I will never see again all the beauty hidden behind that sweet Russian name Your weapon's the smile you wear You use it with such flair But even though I'm tempted to I'll never touch it I swear It's like a secret One wrong word and it's no longer there
12.
Audio Test 00:33
13.
Tschudno 03:59
All good to those who wait who concentrate who contemplate (Complicate) That's just great It's just that chances are slipping by (and it's getting late) It's getting late I love to hate your hypothetical higher state (Your blind faith) It's getting late
14.
Women are just an excuse for something that could be so beautiful Just an excuse ... but a fascinating one I'm a little bit down A little bit sad A little bit lost A bit misled A bit confused and slightly mad Hanging tight by a thread My life was great A sweet white lie But then she came and opened my eyes You opened up my wide shut eyes The truth about this world This fucked up world Reveals itself in the shape of a girl She's a dream A regular pearl Except for the devil behind those curls My life was great A sweet white lie But then she came and opened my eyes You opened up my wide shut eyes Did Judas teach you how to kiss? The truth is what you think it is You opened up my wide shut eyes
15.
16.

about

The duet's second album was a radical departure from the amiable electro-pop of Ma non troppo. This intense, unruly, tumultuous record - laden with distorted synthesizers, digital noise and electric guitars - is Silence's grittiest, angriest work to date.

The making of the album introduced considerable changes to Silence's usual methodology. Normally, the duet avoids venturing into the studio before wrapping up the songwriting process. In this case, however, Silence entered the studio with nothing more than sketches. The latter were then gradually moulded into fully-fledged songs. The duet was thus able to merge the songwriting and production processes and achieve a greater amount of spontaneity.

Unlike a Virgin revealed Silence's proclivity for experimentation. It also introduced one of Silence's key traits: the duet's knack for eluding straightforward categorizations.

The title of the album, an allusion to Madonna's 1984 album and single, was concocted by Benko's father, Bogdan.

credits

released September 1, 1999

All songs written by Benko.
Double bass in tracks 5 and 13 performed by Žiga Golob.
Cello in track 10 performed by Barbara Jarc.
All guitars performed by Peter Penko.
Strings in track 7 performed by Jelena Ždrale and Eva-Julija Rečnik.
Recorded, produced and mixed by Peter Penko at Raingarden 9, Ljubljana.
Tracks 8, 9 and 13 recorded, produced and mixed by Gregor Zemljič and Miha Klemenčič at Microlab, Ljubljana.
Edited by Aleš Dvořak at Kif Kif, Ljubljana.
Mastered by Janez Križaj at Metro, Ljubljana.
Cover photo by Fred Stichnoth.
The album was realised by Carl D. Erling.

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